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Ludicrous coincidences are standard in Bruckheimer-ville, part of its commitment to unreality. There’s a little more by way of a story, including a tepid romance between Mike and Marcus’ baby sister (Gabrielle Union), a Drug Enforcement Administration agent hot on the same case as her brother and his partner. Politically expedient villains, the two are bad to the bone and given to Grand Guignol butchery. It’s only after the gun smoke clears that a plot emerges involving a Cuban drug lord (a wild-eyed Jordi Molla) and a Russian mobster (reliable baddie Peter Stormare) who are putting Ecstasy on the streets and sending millions of dollars out of the country. Mayhem ensues, delivered with the usual Bay touchstones - bullets tear through the air, bodies scatter like confetti, sometimes in slow motion, although most everything else happens very fast. The worshipful vantage and swirling smoke are pure John Woo as is the character’s fondness for two-fisted gunplay. Smith emerges from this redneck nightmare with each hand wrapped around a gun and the camera gazing up at him from somewhere around his feet. With the likes of Lawrence and Rollins as cops, after all, it doesn’t seem farfetched that the film’s first big set piece unfolds in the middle of a Ku Klux Klan rally, complete with a burning cross and extras who look as if they should be picking banjos in “Deliverance.” Mounted for maximum impact, the producer’s films rarely work in the register of the real, which accounts for their success as well as the fact that - as a rule - they’re beyond causing serious offense. A caucus of muscle and tattoo, the cops are led by punk veteran Henry Rollins, which instantly establishes that we are not in generic Hollywood anymore but a fantasyland known as Bruckheimer-ville. (Albeit a really long episode because the film runs on - and on - for 144 minutes.)Īfter the regulation homage, the action turns to a police task force on the verge of a major bust.
#CAST OF BAD BOYS 2 SERIES#
As the camera swoops over the water and heads for the jewel-like Miami, effulgent with lights and decadence, you could be forgiven for thinking that you’re about to watch an episode of Mann’s landmark series “Miami Vice.” And at least initially that’s how the film plays out via a blend of hyperbolic violence, sexual titillation and consumer-savvy multiculturalism - every villainous Latino has his virtuous twin - tucked inside a city that’s little more than an adults-only playground throbbing with the evil that men do. “Bad Boy II” opens in Amsterdam, then hopscotches to the U.S for a tip of the director’s cap to one of Bay’s signature influences, Michael Mann.
#CAST OF BAD BOYS 2 MOVIE#
The added bonus is that he’s now played by a genuine movie star. Marcus is the family man (a wife, three kids, a slobbering dog) and something of an embittered clown, while Mike is the resident stud, the rich kid with the babe-bait moves, designer threads and high-performance cars.
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Friends since high school, the pair has the sort of intimate, playfully hectoring relationship that’s familiar from most two-hander cop movies, as well as the usual character lifestyle specifications. Like the 1995 hit “Bad Boys,” the sequel stars Will Smith and Martin Lawrence as Miami detectives Mike Lowrey and Marcus Burnett, who are as famous for literally tearing up the town as for collecting high-profile collars. Resistance may be desirable, especially for the politically squeamish, but for dedicated action freaks it’s futile. A mind-boggling, nerve-numbing, adrenaline-pumping combination of shock-and-awe brilliance and idiocy from producer Jerry Bruckheimer, director Michael Bay and credited writers Ron Shelton and Jerry Stahl, the new cop thriller “Bad Boys II” doesn’t just raise the bar on movie action - it pulverizes the bar, along with most of your senses.